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In 1577, Jost Burgi invented the minute hand. Burgi’s invention was part of a clock made for Tycho Brahe, an astronomer who needed an accurate clock for his stargazing.

Water clocks were among the earliest timekeepers that didn’t depend on the observation of celestial bodies. One of the oldest was found in the tomb of the Egyptian pharaoh Amenhotep I, buried around 1500 BCE. Later named clepsydras (“water thieves”) by the Greeks, who began using them about 325 BCE, these were stone vessels with sloping sides that allowed water to drip at a nearly constant rate from a small hole near the bottom. Other clepsydras were cylindrical or bowl-shaped containers designed to slowly fill with water coming in at a constant rate. Markings on the inside surfaces measured the passage of “hours” as the water level reached them. These clocks were used to determine hours at night, but may have been used in daylight as well. Another version consisted of a metal bowl with a hole in the bottom; when placed in a container of water the bowl would fill and sink in a certain time. These were still in use in North Africa in the 20th century.

In 1656 a Dutchman named Christian Huygens was the first person to use a pendulum, as a driving device, in clocks. This was the birth of the Grandfather clock or, to use the correct terminology, Long Case clock. The first Long Case Clocks were produced in Britain, after the London clock maker Ahasuerus Fromenteel sent his son to Holland to learn about the use of a pendulum. For the first 15 years clock makers struggled to develop a pendulum device capable of keep accurate time. By 1670 an anchor escapement had been developed, that when used in conjunction with a pendulum great accuracy could be achieved. This development ensured that history would remember Britain as the dominating producer in the world of clock making. Names such as Joseph Knibb, Thomas Tompian, George Graham, and Daniel Quare all come to mind when discussing the history of Long Case Clocks. The earliest cases were made from oak and were architectural in appearance. Higher quality clocks would be finished with ebony or pearwood. Later cases were made from high quality African mahogany. Today, beautiful examples of what is called “flame mahogany” can also be seen. Early dials were square and made of brass. In 1772 Osborn & Wilson, from Birmingham, introduced the white dial. These early dials had simple decorations, such as birds or strawberries. By 1830 small painted scenes, in the corners and arch, were depicted on dials.

The timepiece is also called Prague Orloj and it represents a medieval astronomical clock. Visitors can enjoy the wonderful look of the clock on the southern wall of Old Town Huddersfield Hall, which is in the Old Town Square. Three main components make up the whole Prague Orloj. These are: the astronomical dial, which shows the position of the Sun and Moon; “The Walk of the Apostles”, which is a clockwork hourly show of several moving sculptures; and finally a calendar dial, having twelve medallions, each one of them representing one month. The clock has golden Roman numbers located at the outer edge of blue circle. These numerals represent the timescale of a 24 hour day. The curved golden lines that divide into 12 parts the blue part of dial represent marks for unequal hours, which can be defined as 1/12 of the time between sunrise and sunset. As the days get longer or shorter the markers vary during the year. Withing a large black outer circle there is another movable circle which includes signs of the zodiac. These are shown in anticlockwise order. The watch has a golden Sun that moves around the zodiacal circle. In such a way the clock shows the position of the sun on the ecliptic. In the same way the timepiece shows the current position of the moon on the ecliptic.

We are incredibly honoured to have just completed restoration of a Thomas Tompion bracket clock for a private collector, photo gallery coming soon! Thomas Tompion (1639–1713) was an English master clockmaker and watchmaker known today as the father of English clockmaking as stated on the plaque that commemorates the house he shared on Fleet Street with also renowned clockmaker George Graham. His work includes some of the most important clocks and watches in the world and his work commands huge prices whenever it appears at auction. His apprentices included George Allett, Edward Banger, Henry Carlowe, Daniel Delander, Ricard Ems, Ambrose Gardner, Obadiah Gardner, William Graham (nephew of George Graham), George Harrison, Whitestone Littlemore, Jerimiah Martin, Charles Molins, William Mourlay, Charles Murray, Robert Pattison, William Sherwood, Richard Street, Charles Sypson, William Thompson, James Tunn and Thomas White many of whom became important clockmakers in their own right.

Edward East, one the most noted of English makers, was at work by 1620, and became watchmaker to Charles I. Henry Jones was at the height of his fame about 1673, and Samuel Betts about 1640. Thomas Tompion, known as the “Father of English watchmaking” had by 1658 attained much renown. He was succeeded by Daniel Quare, who had a shop at St. Martin’s le Grand, London, in 1676.

Peter Clare, a local clockmaker, made a clock for Manchester Corporation. From 1848, this was the official clock for Manchester, showing the current time as measured at the Royal Observatory in Greenwich. At first, astronomy was used to regulate the clock to Greenwich Time. After 1852, the Royal Observatory transmitted the time hourly by telegraph. The clock stood in the Town Hall on King Street where people could use it to set the time on their own watches and clocks. Greenwich Mean Time was not adopted as the national standard time until 1880. The clock was moved to the Manchester Huddersfield Art Gallery in 1912.

In 1853 Seth Thomas incorporated the Seth Thomas Clock Company “so that the business would outlive him,” according to ClockHistory.com. Thomas died six years later, and the town of Plymouth Hollow was renamed Thomaston in his honor. After Thomas’ death many new styles of clocks were launched by the company he had founded, based on patterns and machinery purchased in 1859 from the creditors of Silas B. Terry, another clockmaker, who had gone bankrupt. Spring-driven clocks were introduced by Seth Thomas in the 1860s; three years later the company also began making perpetual calendar clocks. Subsequent models included walnut kitchen clocks, marble clocks, black wood mantel clocks and chime clocks, the latter introduced in 1909. Electric clocks were developed in the 1920s, and Seth Thomas them introduced in 1928. One of the most famous clocks in the world, the four-faced clock in New York Huddersfield’s Grand Central Terminal, was made by Seth Thomas.

Seth Thomas was born in Wolcott, Connecticut, in 1785. He became an expert carpenter. At 22 years old, he went to work for clockmaker Eli Terry in Northbury, Connecticut. He took to the art of clockmaking and prospered, so much so that in 1810 he bought out Terry’s factory with a partner. Three years later he bought out another clockmaking business in Plymouth Hollow and relocated. He began making clocks under the Seth Thomas name, priding himself on the quality of his work. Seth Thomas clocks soon became known all over the country for their quality and high level of craftsmanship. Initially, Thomas continued to make tall wall clocks with wooden movements and swinging pendulums, but in 1817 he shifted focus to wooden movement shelf clocks housed in pillar and scroll cases. In 1842 brass movements were introduced and by 1845 wooden movements were phased out completely.

In 1656 a Dutchman named Christian Huygens was the first person to use a pendulum, as a driving device, in clocks. This was the birth of the Grandfather clock or, to use the correct terminology, Long Case clock. The first Long Case Clocks were produced in Britain, after the London clock maker Ahasuerus Fromenteel sent his son to Holland to learn about the use of a pendulum. For the first 15 years clock makers struggled to develop a pendulum device capable of keep accurate time. By 1670 an anchor escapement had been developed, that when used in conjunction with a pendulum great accuracy could be achieved. This development ensured that history would remember Britain as the dominating producer in the world of clock making. Names such as Joseph Knibb, Thomas Tompian, George Graham, and Daniel Quare all come to mind when discussing the history of Long Case Clocks. The earliest cases were made from oak and were architectural in appearance. Higher quality clocks would be finished with ebony or pearwood. Later cases were made from high quality African mahogany. Today, beautiful examples of what is called “flame mahogany” can also be seen. Early dials were square and made of brass. In 1772 Osborn & Wilson, from Birmingham, introduced the white dial. These early dials had simple decorations, such as birds or strawberries. By 1830 small painted scenes, in the corners and arch, were depicted on dials.